They form the council that assists Clytemnestra to rule while Agamemnon is away. In other ways, Aeschylus stays close to Homer, presenting Agamemnon as the most powerful of the Greek kings who sailed to Troy and therefore the leader of the Greek army, even though it was his brother, Menelaus, whose wife, Helen, eloped with Paris, a son of the king of Troy.
They are loyal to Agamemnon, and they welcome him and later mourn him sincerely, but they are also ready to criticize him when he shows what they consider hubris. Since that time, Aegisthus has been in exile awaiting a chance to seek revenge for the terrible crime. Does this just mean Clytemnestra has bad taste in men?
Did Clytemnestra stiff him on his overtime pay or something? Agamemnon speaks of moderation and of not offending the gods, but in consenting to walk on the purple tapestries his wife strews for him, he reveals the arrogance also shown in speaking of the gods as merely helping him, and in ordering his wife to take care of his concubine.
Hermes The messenger god and patron of travelers, a mute character in The Eumenides.
By tradition, one man, the Chorus Leader, speaks for the Chorus during scenes that involve dialogue, but he is not otherwise distinguished from the Chorus as a whole. An ardent patriot, he is ecstatic to see the home he thought he had left forever and provides vivid descriptions of the horrors of the war against Troy.
Who is she kidding? She is, a sympathetic character in many respects, but the righteousness of her crime is tainted by her entanglement with Aegisthus.
Apollo God of the sun and prophecy. Aeschylus uses her mainly to provide information for Orestes and to help strengthen his resolution by her presence. Chorus and Chorus Leader: Her one mistake was to accept the gift of prophecy from Apollo, and then to refuse to fulfill her promise to sleep with him.
He is completely forgotten while the conflict is resolved by Athene, and the remaining segment of the play concentrates on glorification of the Athenian way of life. Agamemnon is complacent, egotistical, and shallow.
Indeed, Clytaemestra is so confident and so superior to those around her, including Agamemnon, that she often alludes to her plans more or less openly without fear of being detected. That Aeschylus intended this is shown in The Eumenides, where Orestes is turned into a human symbol in the great moral conflict that is fought out on stage between Apollo, as representative of Zeus, and the Furies, as representative of the primitive, pre-Olympian religion.
Athene Goddess of wisdom and patroness of Athens. He appears as the defender of Orestes in The Eumenides. First of all, there is the deception she carries off, by playing the role of loving wife in front of the Herald, the Chorus, and Agamemnon when he shows up.
So far is she from the Greek notion of what women are like that she is in several places spoken of as thinking like a man, and she resents anyone who dismisses her as womanish.
What the play does show us is that Clytemnestra is one accomplished conspirator and murderer. On the subject of women, they are blinded by their assumptions. He goes to his death unaware of his fate. Orestes Orestes is the central figure of the trilogy.
In his pride in the completeness of the destruction of Troy, he embodies the blindness of all to the dangers of such excess. Clytaemestra murders Agamemnon to avenge Iphigenia but would not have succeeded if his other sins — the desecration of the Trojan temples and his sacrilegious insolence in walking on the tapestry — had not aroused the wrath of the gods against him.
The first thing we learn about Clytemnestra is from the Watchman in the opening scene of the play. A Watchman Speaks the prologue of Agamemnon. The Elders of Argos The chorus in Agamemnon.
After the slaying of Clytaemestra, Orestes is embittered and on the verge of madness, but he never doubts that he has done the right thing. She plans his murder with ruthless determination, and feels no guilt after his death; she is convinced of her own rectitude and of the justice of killing the man who killed her daughter.
In The Eumenides, she establishes the new court, casts the deciding vote at the trial of Orestes, and afterward placates the Furies.
If so, that would mean she had been planning revenge against Agamemnon for a long time and was just looking for an accomplice.
Frankly, though, who can blame them? The Watchman is a simple man, who longs only to be released from his duties and allowed to sleep in a bed. We can see how that might have made Clytemnestra think a little less of her husband, and maybe this is why she turned elsewhere for romance.
But what does that mean, exactly? Many critics consider Clytaemestra the most impressive and fascinating woman in Greek tragedy. His joy at the news that Troy has fallen and his longing to welcome his master home suggest that the people as a whole are loyal to Agamemnon.Character Analysis Even though Agamemnon gets a shout-out in the play's title, Clytemnestra may well be its most interesting character.
By interesting, we don't mean likable – after all, technically speaking, she is a liar, a two-timer, and a murderer. Aeschylus' Eumenides is the final installment of his tragic trilogy Oresteia, named for its central character, Orestes.
After murdering his mother, Clytemnestra, at the order of Apollo, Orestes is. Agamemnon Agamemnon is a powerful king, a great conqueror and leader of men, but as characterized by Aeschylus he has certain crucial weaknesses that lead to his downfall.
Agamemnon is complacent, egotistical, and shallow.
Detailed analysis of Characters in Aeschylus's Agamemnon. Learn all about how the characters in Agamemnon such as Agamemnon and Clytaemnestra contribute to the story and how they fit into the plot.
Aeschylus's Agamemnon is a tragedy because it is a play focused on the downfall of a great man, who in this case is none other than Agamemnon himself (big surprise). At the same time, however, it m. Agamemnon is the first play in a trilogy, the Oresteia, which is considered Aeschylus' greatest work, and perhaps the greatest Greek tragedy.
Of the plays in the trilogy, Agamemnon contains the strongest command of language and characterization. The poetry is magnificent and moving, with skillful portrayal of major and minor characters .Download